SILENT MAJESTY

I first drew the horse using the grid technique on a 60 × 40 cm surface. My grid had 10 cm squares, which helped me accurately transfer the proportions and details.

After completing the grid drawing, I transferred it to a larger Fabriano paper (70 × 50 cm). Before I started shading, I stuck masking tape on the edges of the paper to create a clean frame.

I always begin by working on the eyes because they bring life and expression to the drawing. I used Conte pencil for the eyes and paid special attention to the highlights and reflections. I used an electric eraser to draw lights on the eye.

Before working on the details, I blocked in the dark and mid tones using charcoal powder and soft brushes. Building the values first helps to create depth and a strong understanding of light and shadow.

I used Conte pencil for the horse’s hair and blended it using Size 2 and 0 stiff brushes to create depth, direction, and a natural flow.

I used mechanical erasers (both large and small) to carefully draw small and big hairs on the skin and other areas that required lighter tones and fine detail.

I continued refining the textures on the skin and muscles using a combination of charcoal powder, Conte pencil, and brushes. Layering slowly and patiently is the key to realism.

Once the drawing was complete, I checked the values, increased contrast where needed, and balanced all the details to make the piece more realistic and complete.

After finishing the artwork, I applied fixative spray to protect the charcoal from smudging. I used several light coats from a distance in a well-ventilated area and let it dry completely.

After the fixative was completely dry, I carefully removed the masking tape. Be careful to peel the tape slowly at a low angle to avoid damaging or tearing the paper.